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Whether she sings string-laden pop ballads, lively soul, or gritty electric blues, James's high-powered, enormously expressive voice displays a knack for passionate blues inflections. Emotionally charged ballads including "At Last" and "All I Could Do is Cry" find James blasting through the orchestra with unearthly wails and moans. "If I Can't Have You," a duet with Harvey Fuqua, drops the orchestra in favor of horn-driven R&B and "Something's Got a Hold On Me" is a gospel-flavored romp reminiscent of Ray Charles. A live version of Jimmy Reed's "Baby, What You Want Me to Do" shows her raunchiest Chicago-blues style, and "In the Basement," with Sugar Pie DeSanto, is a funky workout. Also here are three classics from her soul-drenched 1967 Muscle Shoals sessions. --Marc Greilsamer
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Track: 10: Fool That I Am,
Track: 11: Two Sides To Every Story,
Track: 12: Pushover,
Track: 13: Stop The Wedding,
Track: 14: In The Basement, Part One,
Track: 15: Baby, What You Want Me To Do (Live),
Track: 16: I'd Rather Go Blind,
Track: 17: Security,
Track: 18: Loser's Weepers, Part One,
Track: 19: All The Way Down,
Track: 1: At Last,
Track: 20: Tell Mama,
Track: 2: All I Could Do Is Cry,
Track: 3: If I Can't Have You,
Track: 4: A Sunday Kind Of Love,
Track: 5: My Dearest Darling,
Track: 6: Something's Got A Hold On Me,
Track: 7: Trust In Me,
Track: 8: Next Door To The Blues,
Track: 9: Don't Cry Baby