The listing, Legion has ended.
At a remote desert truck stop, the fate of the world will be decided. Evil's armies are amassing. Armed and united by the Archangel Michael, a group of strangers become unwitting soldiers on the frontlines of the Apocalypse. Their mission: protect a waitress and her sacred unborn child from the relentless, bloody siege of the demonic legion. As pure check-your-head-at-the-door popcorn entertainment, the apocalyptic action-horror hybrid Legion delivers in nearly every frame--its story of a band of strangers fighting an army of angels and demons for the fate of mankind is proudly loud, bullet riddled, and knee-deep in gore and CGI. That doesn't mean it's particularly good or even coherent--the story has renegade angel Michael (a glum Paul Bettany) come to the aid of diner owner Dennis Quaid (equally glum) and his patrons (a cross-section of stereotypes embodied by a capable cast, which includes Lucas Black, Charles S. Dutton, Tyrese Gibson, Kate Walsh, and Jon Tenney) as a host of heavenly and diabolical beings, dispatched by an angry God, descend on the diner with the intent of killing waitress Adrianne Palicki (Friday Night Lights), whose unborn child may be the salvation of humanity. The orgy of special effects--endless hails of bullets and a menagerie of unpleasant demonic creatures, the most unsettling of which is the ice cream man (Doug Jones, Hellboy)--is eye popping but ultimately repetitive, and since no character rises above a cipher in director Scott Stewart's script (cowritten with Peter Schink), the whole affair feels unwieldy and eventually tiresome under a barrage of hackneyed dialogue. Naturally, Legion ends with the possibility of a sequel, though one wonders where the story can go after Armageddon.